Welcome to Konnichiwa Philadelphia, a feature dedicated to
highlighting the relationship between Philadelphia and Japan in the modern day and in years gone by.
We'll also cover interesting societal and cultural content about Japan.
Check back every two weeks for a new article, and rediscover Philadelphia
from a Japanese perspective!
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Friday, 25 January 2008 |
Gradually making their way into the States, izakaya have been popping up in cities here and there. Yakitori Boy is arguably Philadelphia's first izakaya, newly opened on 11th and Race. This week’s blog provides a review of Japanese “pub-grub,” a delicious division of Japanese cuisine often overlooked abroad.
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Wednesday, 09 January 2008 |
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Konnichiwa, Philadelphia. This week's blog speaks in general about New Years in Japan, from traditional customs of festivity to more modern routines, such as the broadcasting of NHK's annual male vs. female, team-based, musical entertainment competition, Kouhaku Uta Gassen. Read on to learn more about the Japanese experience of the New Year holiday.
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Wednesday, 19 December 2007 |
Konnichiwa, Philadelphia.
In this entry we lament Philadelphia's loss of its first and only Japanese
baseball star, Iguchi "Gooch" Tadahito, who many agree was integral in
winning the NL East title and brought the city much welcomed attention from the
Japanese media. When will Philadelphia once again be home to another Japanese baseball star?
UPDATE: As if in response to our pleas, the Phillies have signed former Cardinal So Taguchi!
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Wednesday, 05 December 2007 |
A regular member of the JASGP’s Japanese conversation club, Maiko Sembokuya is a talented artist who tells stories about Philadelphia with her paintings and illustrations. Showing a careful sense of observation and breathing a reality
that is easy to connect to, the bold shapes and simplified lines in her
small paintings cut past visual clutter to deliver a scene that can
immediately be recognized. In this blog, the JASGP asks her about the process behind her engaging artwork.
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Monday, 05 November 2007 |
Recently, Miro Dance Theater invited Ikuyo Kuroda, a rising star in the Japanese dance world, to perform in Philadelphia.
I was speaking with Miro’s artistic director Amanda
Miller about it, and asked what kind of dance it would be. She told me that she couldn’t quite describe
it, but I pushed for a box to put it in, so she said “ballet-butoh
fusion.” I couldn’t imagine what a combination of ballet and butoh would look like. From previous shows that I have seen in both genres, I can say that
about the only things the two art-forms have in common are that they
both involve body movement and they both begin with the letter b...
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